For those of us old enough to remember it, by 1995. Most adolescents in the developed world were almost as indifferent. They are passionate about gender and s*xual identity as their parents – or at least not at all.
They are the most enlightened children of the Gen-Z people today. Amber’s dating, a catchy Irish comedy that originates from the era with a mix of cautious nostalgia and casual affection.
The cast Fiona O’Shea and Lola Pettique as two queer teenagers. Who pretend to be the perfect match to find peace.
Although much happier than director David Freyn’s previous films:
Now, this strange, predictable allegory about zombies, The Cured, this second attempt has both shadow and light. It inflicts a gentle mental wound that shows how self-loathing emerges from unspoken truth.
This results in an honest and refreshing look at the pain of going out. Even with some of the peripheral symbols drawn in bold. They superbly demonstrated O’Shea and Pettigrew’s wonderful talents. It emphasized following the two names in the future along with Freyn himself.
Eddie, 17 (O’Shea, from the television series “Normal People”. The upcoming role of Rousseau Cherry) lives in the semi-rural area of Kildare County.
A suburb only a short bus ride from the Dublin Brothers) lives with a younger brother. -man. Ian (Barry Ward) is a senior Irish officer at Camp Curragh, a military base and college.
In contrast, Hannah (Sharon Horgan, who plays a military woman again after her service with Military Wife) manages the house.
Eddie’s “friends” at school, especially dirty Kev (Ian O’Reilly). It feels like a needle-prickling weak spot and annoys weak. The sensitive Eddie because he’s gay because he never had a girlfriend.
His taunts make him pretend he is chewing gum on Tracy (Emma Willis). Who sy who looks “like that guy from Blur”.
After diplomatic negotiations by a third country, the two attend a very uncomfortable makeup session behind the school. Eddie hopes to answer any questions about his heteros*xuality – even though he happens to be gay.
One person who this charade won’t fool is Amber (Petticrew, street explosion):
A tough, rude, and kind-hearted classmate of Eddie’s bright-colored, messy nut and often annoyed by others for being considered “lesbian”. Even though Amber can fight just as well as Eddies.
A name stings her because she knows that she prefers girls over boys. With tantalizing noise and hourly mobile home rentals for teens.
They are looking for s*x in a trailer park run by their mother Jill (Simon Kirby), Amber saves a fortune. Eventually, she planned to use him to escape to London.
Where she could go out completely, attend punk concerts and start “zine” music. (Younger readers didn’t like hearing about such things. Except for staples of paper and long pieces of prose.)
Seeing an opportunity to grab the rest of his back. Amber goes to Eddie, points out that she correctly assumes he’s gay, and suggests they pretend they’re together.
Although he tries to deny he’s just a macho-macho guy. Eddie agrees that this arrangement would be preferable to graduating with the likes of Tracy and the other girls.
Over time, Eddie and Amber developed real friendships and deep affection for each other. This is illustrated by a series of lively comic book sketches and montage sequences showing them cuddling platonically like puppies. Bolstered by the beautiful and sad original scores by Hugh Drum and Stephen Remix.
About prohibited drink travel to Dublin together:
The two took place in a gay bar. Eddie walks in and is blown away by the sight of lips in sync with Queen Lee, who calls him a “gay baby”, while Amber meets a friendly student named Sarah (Lorin Kani), who invites her to an upcoming event.
This person’s and cultural encounter gradually changed something for the two teens, which gave Amber the urge to explore their s*xuality more openly. Eddie, who, like his father, should have trained as a cadet after completing his training in the army, the thought of leaving caused panic.
Eventually, he turned against Amber in public and called her a “levee” after their performative performance. This is a bogus scam (because they were never a “real” match) and devastating (because they are, in some ways, on another level).
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In a statement from the director, Freyn noted that the story is autobiographical, although it is not stated whether any of the characters, Amber, was a teenager.
However, there are many cute and bizarre details along the way. Like a nun’s s*x chat that feels too out of. The ordinary to be anything other than real life.
Its graceful script keeps the weather perfect with the obligatory adulthood rhythms, whether science fiction or memoirs. Freyne received bright and solid performances from the two presenters, who have real and charming chemistry.
The authenticity of their show may be a bit at odds with the broad cartoons shown elsewhere. Such as classmates in general. But, in the end, it’s forgivable given how common winning the film was.