To what extent does our evaluation of the film depend on our knowledge of the director? In this story, it is difficult to avoid a 16-year-old female student having a relationship with an older man. The protagonist makes it. It’s Suzanne Lyndon, who wrote when she was 15 and choreographed when she was 20.
Lyndon is also the daughter of French actors Vincent Lyndon and Sandrine Cyberlain.
Some people may take advantage of it, but they can support it. Indon plays “Suzanne,” a student from a wealthy and caring Parisian family (she looks like a young Charlotte Gainsburg). He has many friends, but he is bored with a group of immature colleagues.
Every day you will see Ranauel (Arno Valois), this handsome 35-year-old actor performing in the local theater. It also seems boring. Suzanne became curious, and they got closer and closer.
During his years, Rafael seemed a little immature. He even ordered the sweet soda she made in the coffee shop. Could these two meet between the two? On the surface, their relationship is bounded. By the hobbies and sexual exploitation of female students.
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But these difficulties are beyond the scope of the narrative. More gracious, indecisive, naive, and less clichéd. First, there is no apparent sexual orientation in their relationship (seemingly to show that he knows his territory, Linden refers to Maurice Pial’s 1983 film “A Nos Amours.”
Some of them praised the simple touch of Eric Romer’s style, while others felt a certain degree of ease. In just 70 minutes, all of this It’s a short-lived thing. Suzanne Lyndon (Suzanne Lyndon) firmly established herself as a triple threat with her cute little drama “Spring Blossom.”
He directed, wrote scripts and stars, but it was also his first feature film. Few seasoned filmmakers can boast of the ease, comedy timing, and competition that 21-year-old Lyndon has casually possessed.
If created by a famous writer, this movie would be enjoyable.
The fact that the novice came up with this makes it even more impressive. Susanna (Linden) is bored with her 16-year-old classmate, who is constantly mixed with nonsense. It’s not that she didn’t force herself because she worked so hard.
At a party she attended, a girl asked her, “Which man do you think is cute?” Susanna looked confused. “I don’t know.” He replied. Soon, he saw the 35-year-old local actor Arnaud Valois through the window of the coffee shop and became an obsessive older man.
He even sneaked into the theater during rehearsals and watched him from behind. They talk to each other during the smoking break. He invited her to eat breakfast. Love is created.
If Spring Bloom ends up in sadness or love, I will let you know. Is there a central romantic place? Not in the France, where the age of the consent is aboout 15 years old. Although Lyndon admits this, the story revolves around it. It is commendable that she has never made their relationship dirty or even sexual.
She nailed some clumsy girls, cracking their skin and causing hormones to spike. She reflected her kiss in the mirror; she stood beside her friend, lost in new thoughts. The director correctly mastered the minor details, such as Suzanne’s love of pomegranate lemonade cocktails.
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She also showed fundamental director skills, and she is not afraid to try a little bit—random dance numbers. The sharp and perfect cut will confuse you. At breakfast, Suzanne heard Raphael’s opera overture transformed into another musical duet. It illustrates the gradual development of their romantic relationship and maintains the teenager’s relaxed and beautiful feeling.