Regarding technological advances and how they shape and transform humans in films, automation. Whether humanoid robots or stereotypes that look like machines. It usually poses a threat to society. Criminals are spiralling out of control at the hands of human devices.
Black Mirror, to the point of total and destructive immersion, a lifestyle driven by love and simulation programming.
In “Ich bin dein Mensch”, director Maria Schrader: Who wrote the screenplay with Jan Schomburg and was inspired by Emma Braslawski’s novels. It exposes humanity’s relationship to technology in a genuinely thoughtful way. A way to make it happen. Warm, elegant, and often steeped in solitude and human relationships, I’m Your Man is charming and intelligent.
Alma (the phenomenal Maren Egert) is a sociologist whose research studies ancient languages to see. If people used poetry and metaphors thousands of years ago. He works at a museum where his former colleague Julian (Hans Lev) is still a co-worker and cares for his ailing father (Wolfgang Hübsch). Whose dementia worsens over time. On behalf of her boss, Alma takes part in a study. Where she works with a robotic friend named Tom (Dan Stevens).
Who is specially created to meet his needs, respond to his wants and needs? And ultimately take certain aspects of you into account? live to make him happy. (Tom even speaks German with an English accent because Alma loves it.) In three weeks, Alma will have to write a review considering. Whether this high-tech entity needs to collaborate with others and evolve into society as a being that can be.
I’m Your Man is one of the most beautiful films about the advancement of technology:
And how it can disrupt human relationships while examining how people interact with each other. Alma describes his feelings as pitiful, which Tom responds to because it’s something anyone can relate to. He also struggles with loneliness and the nature of human existence, which is based on interaction and emotional connection.
He couldn’t, which was another reminder of how he was created to make Alma happy. Though, in the end, all he could do was remind her why he shouldn’t. The relationship between Alma and Tom is very strained. And Alma can express his feelings about the situation. And himself through conversations with Tom, who listens without judgment.
Alma’s exploration of loneliness in this film is neither cynical nor evasive, which provides a story that audiences might expect. Instead, “I’m Your Man” undermines all expectations of the film. And delves into the intense emotions of Alma’s desire to be in a relationship. Even as she openly rejects Tom’s attempts to do so. The directors understand that everything Tom gives Alma. The care, attention, conversation, sex – lacks in-depth, even though he likes it very much.
The film is deep and raw, but at the same time captivating and often very funny and warm.
It’s a weird mix that works, with a story that often spins around. When viewers think they’re going to turn their backs on it. Schrader and Schomburg’s dialogue is sharp and sincere, emotional and diverse. With long directions staying with Alma in thoughtful pauses as if she (and the audience) awakened to the strangeness of the situation. While sitting down with all her feelings.
Maren Egert and Dan Stevens are also great in their roles. Like Alma, Egert is funny and considerate, unreasonable and emotionally challenging. His thoughts begin to surface as the film progresses, and Egert carefully describes the character’s evolution and delivers a compelling and devastating performance. Meanwhile, Stevens is charming and strikes the right balance between humans and robots. Tilt your head here, brow furrowed there, while Tom corrects his behaviour, revealing the nuances behind Stevens’ drawing.
The relationship is complicated, and the film treats it that way. I’m your man, of course, who relies on the premise. But goes beyond a romcom-like environment to explore people’s connections to technology and each other.
Alma’s reluctance to participate in the study doesn’t fall into the usual trap this type of role usually falls into. Which brings the story to life and allows her to explore characters and subjects on condition. While staying true to the original format for staying. The film entered the Oscar competition for Germany in 2022 and was awarded in the best international feature film category.